New PDF release: A beginning textbook of Lhasa Tibetan

By Ellen Bartee

The target of this textbook is to coach the coed the way to communicate the Lhasa number of Tibetan. as the start line of this booklet is especially uncomplicated, ite offers a great chance for the scholar to right away depend on Tibetan script instead of romanized script. This, we think, can assist to immerse the coed in Tibetan.

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As recently as December 1962 I saw these headlines in two of our national daily papers: "Opera Heroine Eschews Histrionics" and "A Tosca free from Melodrama". Astonishing statements indeed. Tosca without histrionics and free from melodrama! Why?

In this way the music—the arias, I mean—lived their own life, free and unfettered; they arose, as it were, out of the dramatic situation. These situations are an inherent part of the story or narrative and are declaimed musically in recitative which is, of course, the dialogue which keeps the story in motion. Pages and pages have been written by various professors about the singing of recitative and I have even been told by my professional confrères that So-and-So is marvellous at teaching recitative.

The greater the reform needed, the greater the Personality you need to accomplish it. You ! do you not see how it would serve to have eyes, blood, complexion, clean and sweet? Do you not see how it would serve to have such a body and soul that when you enter the crowd an atmosphere of desire and command enters with you, and every one is impress'd with your Personality? O the magnet! the flesh over and over! Go, dear friend, if need be give up all else, and commence today to inure yourself to pluck, reality, self-esteem, definiteness, elevatedness, Rest not till you rivet and publish yourself of your own Personality.

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A beginning textbook of Lhasa Tibetan by Ellen Bartee

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