Download e-book for iPad: Aesthetics and the Art of Musical Composition in the German by Heinrich Christoph Koch, Johann Georg Sulzer

By Heinrich Christoph Koch, Johann Georg Sulzer

ISBN-10: 051151834X

ISBN-13: 9780511518348

ISBN-10: 0521360358

ISBN-13: 9780521360357

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Additional info for Aesthetics and the Art of Musical Composition in the German Enlightenment: Selected Writings of Johann Georg Sulzer and Heinrich Christoph Koch

Example text

Sometimes an artist finds that he has too many ideas, and some will have to be omitted or shortened. Sometimes he will discover that new ideas need to be introduced. In all cases, the general form of the art work begins to take shape. v. "Unity" and "Variety"). Once again, it is the moral theme of an art work that serves to underpin this unity. " The soul is the faculty most capable of apprehending this unity of purpose, as it alone is the faculty capable of perceiving the moral meaning to which an art work appeals.

Just as philosophy and science have knowledge as their ultimate goal, so the fine arts have the goal of sentiment. Their immediate aim is to arouse sentiments in a psychological sense. Their final goal, however, is a moral sentiment by which man can achieve his ethical value. If the fine arts are ever to become the sister of philosophy, and Aesthetic foundations: sentiment 29 not just a gaggle of loose wenches one calls upon for diversion, they must be guided by reason and wisdom in their stimulation of sentiment.

In music, there are many short but pleasant melodies that have no real aesthetic other than a pleasing order of notes. A poet might pen an epic verse whose contents are also without aesthetic, but through the ordering of syllables produce a beautiful tone that approaches epic dignity. This is not seldom the case with Homer. Just the tiniest amount of order or trace of regularity can be sufficient to elevate a work to the rank 40 Johann Georg Sulzer of fine art. {617} Still, if one were to rank works of art, any work with a pleasing order, but whose contents lack any aesthetic worth, would occupy the lowest class.

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Aesthetics and the Art of Musical Composition in the German Enlightenment: Selected Writings of Johann Georg Sulzer and Heinrich Christoph Koch by Heinrich Christoph Koch, Johann Georg Sulzer


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